Rembrandt Christ In The Storm painting

Rembrandt Christ In The Storm painting
Pino Restfull painting
Pino pino_color painting
Pino day dream painting
was fain to smile. Claude had consigned him to that same Collége de Torchi in which he himself had passed his earliest years in study and seclusion; and it grieved him sorely that this retreat, once edified by the name of Frollo, should be so scandalized by it now. He would sometimes read Jehan long and stern lectures on the subject, under which the latter bore up courageously—after all, the young rascal’s heart was in the right place, as all the comedies declare; but the sermon over, he calmly resumed the evil tenor of his ways. Sometimes it was a béjaune, or yellow-beak, as they called the new-comers at the University—whom he had thoroughly badgered as a welcome—a valuable custom which has been carefully handed down to our day; now he had been the moving spirit of a band of scholars who had thrown themselves in classical fashion on a tavern, quasi classico excitati, then beaten the tavern-keeper “with cudgels of offensive character,” and joyously