Pino Sweet Repose painting

Pino Sweet Repose painting
Johannes Vermeer The Kitchen Maid painting
We tied the horse and then rapped at the kitchen door. Nobody came but the door was open and we could hear somebody in the pantry, going on dreadfully. We couldn't make out the words but Diana says she knows they were swearing by the sound of them. I can't believe that of Mr. Blair, for he is always so quiet and meek; but at least he had great provocation, for Marilla, when that poor man came to the door, red as a beet, with perspiration streaming down his face, he had on one of his wife's big gingham aprons. `I can't get this durned thing off,' he said, `for the strings are tied in a hard knot and I can't bust 'em, so you'll have to excuse me, ladies.' We begged him not to mention it and went in and sat down. Mr. Blair sat down too; he twisted the apron around to his back and rolled it up, but he did look so ashamed and worried that I felt sorry for him, and Diana said she feared we had called at an inconvenient time. `Oh, not at all,' said Mr. Blair, trying to smile. . .you know he is always very polite. . .'I'm a little busy. . .getting ready to bake a cake as it