Sunday, August 31, 2008

Rembrandt The Return of the Prodigal Son painting

Rembrandt The Return of the Prodigal Son painting
Edvard Munch The Scream painting
Gustav Klimt Mother and Child detail from The Three Ages of Woman painting
classification-problem, now I considered it, pointed clearly to the sense of my task -- a sense altogether harmonious (as Sear could never have guessed) with the rest of the Assignment. What had my day's work proved, if not the necessity of clear distinction? And what were my labors but a series of paradigms, or emblems of this necessity? To distinguish Tick from Tock, East Campus from West, Grand Tutor from goat, appearance from reality (or whatever contraries were involved in seeing through My Ladyship) -- all these tasks, like my sundry concomitant advisings, were but ways of saying, "Passage is Passage, Failure Failure: let none confuse them." All that was wanted to put the Founder's Scroll in its place was sharper definition, I was confident -- and eager to tackle the problem, I grew impatient at the little delay, for it began to seem not impossible that I might request Examination that same evening, and thus complete my Assignment in a single day -- as close to "no time," surely, as anyone could demand!
After a few minutes Anastasia reported, with some concern, that Stoker had not appeared at the Powerhouse all day, nor had his new secretary at Main Detention seen

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